MARGARET KELLER                                    
With interdisciplinary series including installation, painting, drawing, prints, and sculpture, I examine the relationship between contemporary culture and nature.  Current series include looking at the pervasiveness of surveillance, the range of natural disasters, and our filtered experiences of nature in this digital age.  I also focus on the curatorial and critical aspects of contemporary art with published reviews in Art in America, All The Art and temporaryartreview.
Exhibits include Quadratfuß-NX2-Annex Art /Berlin, The Arkansas Art Center Museum, The Contemporary Art Workshop in Chicago, The Maryland Federation of Art Gallery in Annapolis, The Crisp Museum at Southeast Missouri State University, The Wichita Art Museum, The Neville Museum in Green Bay, The Tweed Museum in Duluth, The Riverside Museum and The Brea Cultural Center in California, The Roanoke Museum of Fine Arts, and The Butler Institute of American Art in Ohio, among others.
Post-Graduate Study, Experimental Electronic Media (video game design, animation, digital drawing and video), Webster University, 2007
Master of Fine Arts, Washington University, St. Louis,
Painting, Drawing, Printmaking, 1989
Bachelor of Fine Arts, Magna Cum Laude, Curator’s Scholarship, Drawing, Painting, Art History, University of Missouri-Columbia, 1976
2019   William and Florence Schmidt Art Center Museum, IL,
          The Space Between Series
2017   Gallery 210, St. Louis, Surveillance Series
2017   Center of Contemporary Art, St. Louis
2017   Cedarhurst Mitchell Museum Biennial, Mt. Vernon, IL
2017   Springfield Art Museum, Collections, Springfield, MO
2017   Regional Arts Commission Artists Support Grant
2016   Quadratfuß, NX2, Annex Art, Berlin
2016   Contemporary Art Museum Open Studios, St. Louis
2016 - 2010, Meramec Contemporary Art Gallery, St. Louis
2015   Arkansas Art Center Museum, Little Rock
2015   OA Gallery, St. Louis
2015   Regional Arts Commission, St. Louis
2015 - 2010, Addington Gallery, Chicago
2009 - 2006, Contemporary Art Museum St. Louis, Flat Files
2008   Missouri University of Science and Technology, Rolla
2008   Ellen Curlee Gallery, St. Louis
2006   Foster Gallery, University of Wisconsin,
SUPERvision/Surveillance Technologies
2006   Contemporary Art Museum St. Louis, Selections from the
Flat Files Exhibition
2006   Gwenda Jay/Addington Gallery, From Nature, Chicago
2006   International Invitational, Lyon, France
2006   Contemporary Art Museum Open Studios, St. Louis
2005- 2003, Gwenda Jay/Addington Gallery, Chicago
2005   Springfield Art Museum, Springfield, MO
2005   University of Missouri - Rolla
2005- 2003, Aliya Gallery, Atlanta
2003   Schoharie 21st National Juried Exhibit, New York
Professor of Art, St. Louis Community College, 1993 to present
Visiting Associate Professor of Art, Webster University, St. Louis,
Advanced Painting Program, 2007
Associate Professor of Art, Visiting, Santa Reparata International School of Art, Florence, Italy, 2003
Associate Professor of Art, Visiting, Washington University,
St. Louis, 2002-2003
Gallery Co-director, Meramec Contemporary Art Gallery, St. Louis
Community College. Curator of over fifty exhibitions including
Everywhere and Elsewhere ll:  Painting, 2016, regional and NYC artists;
Everywhere and Elsewhere lPainting 2015, regional and NYC artists
Temporaryartreview, interview of Angelina Gualdoni, NYC artist, 2016
Temporaryartreview, review fort gondo compound for the arts, 2016
All The Art, feature article, Fiber, Winter 2016 issue
All The Art, “Ron Laborary”, Suburban Gallery, Chicago, Fall 2015 issue
Art In America, “Channelbone”, White Flag Projects, November 2007
Review Magazine,  “Ruby Osorio”,   “Dzine: Punk/Funk”, Contemporary Art Museum, St. Louis, Summer 2005 issue
New Art Examiner, “Against Design”, Kemper Museum of Contemporary Art, Kansas City, MO, November/December issue, 2001
St. Louis Post-Dispatch, “Staging”, Forum for Contemporary Art,
St. Louis Post-Dispatch, “Strandell’s Polygots”, Elliot Smith
Contemporary Art, 11-25-01
St. Louis Post-Dispatch, “Leibman’s Music-Inspired Art”, William Shearburn Gallery, 11-18-01
St. Louis Post-Dispatch, “Raedeke’s Innovative Work”, 10-21-01
St. Louis Post-Dispatch, “Absence and Presence Strike a Balance in Worley’s Landscapes”, Elliot Smith Contemporary Art, 9-30-01
Art St. Louis Magazine, “Ken Worley”, Volume 14, Issue 1, Fall 2000
St. Louis Post-Dispatch, “Unexpected Discoveries”, Jeff Daniel,
West End World, 7- 06
St. Louis Post-Dispatch, “From River City To River North”, Jeff Daniel, 9-27-02
St. Louis Post-Dispatch, “Landscapes… As Far As The Eye Can See”, Jeff Daniel, 7-9-00
St. Louis Post-Dispatch, “Keller’s Exhibit Worth A Visit
To Maryville University”, Brian Smith, 6-4-00
New Art Examiner, “Recent Work”, Dan Reich, April 1995
St. Louis Post-Dispatch, “Margaret Keller’s Variations On Themes”, Carol Ferring Shepley, 3-16-95
Curatorial panel:  Intimate/Inti-mate, Regional Arts Commission, St. Louis
The Body in Question-Gender Gaze, Art St. Louis
Photography in Contemporary German Art: 1960-1990, University of Missouri-STL
Contemporary American Art, Fall Honors Lecture, University of Missouri-Rolla
Applebroog and Abakanowicz:  Art with an Agenda, Washington University and the University of Missouri-STL
Islamic Art and Patronage, The Saint Louis Art Museum
University of Missouri
Mark Twain Banks Corporate Collection
William Woods College
Dominic’s In Clayton
McCallum Place
Numerous private collections in St. Louis, Chicago, Minneapolis, Atlanta, Boston, Berlin and Baltimore
Bibliography Section Article Bibliography Section Catalog Bibliography Section Web Link PDF icon displayed by thumbnail Sold Dot